Following the success
of 2009’s addition to the star trek universe we’ve witnessed director J.J
Abrams announce moves to bigger and arguably better prospects already taking
the mammoth task of reanimating the rival franchise Star Wars in 2015. With all
the buzz surrounding the director however word has been forgotten of the
continuation to the sequel of his 2009 success, Star Trek Into Darkness newly
warping onto our screens. Whilst this recent instalment sees the whole cast
returning with further added thespian delights such as Benedict Cumberbatch
being thrown into the fray, it lacks the trepid adventure of its predecessor feeling
more like a family blockbuster as oppose to an intelligent sci-fi.
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A change in tone
midway through the film allows a space for further characters to take to the
stage which some do more than others, with Spock ( Zachary Quinto) most notably
taking his opportunity in the limelight to great effect as we witness an
exciting side of his character which is rarely expressed. This however does lead to certain characters missing
out, with members like Bones (Karl Urban) rarely making an appearance aside from
the occasional humorous ‘side-gag’. In amongst all of Star Treks excitement at
its flashy set-pieces, it failed to address even the most simple of plot points
creating for a second act which was far more convoluted than necessary. This
proves to be evident following the climactic action sequence which seemingly
forgets the existence of its surrounding narrative, wrapping up the story
almost instantaneously to leave a poorly wrapped present with a lack of aesthetic
presentation.
Being an exciting and
naturally humorous blockbuster, Star Trek Into Darkness is an extremely strong
and certainly worthy addition to the Star Trek franchise. Focusing mostly on
story as oppose to the wild futuristic world surrounding it, this film is a delightful
throwback to the past series in many ways than one.
8/10- A blockbuster standing proud over its cinematic opposition
being entertaining and appropriately dark.
Calum Russell
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